Here are excerpts and links to guest posts and featured articles I’ve written for book blogs, websites and online magazines. Click on the link to read it in its entirety:
Andrew Cairns’ blog: Let There Be Blood! May 21, 2017
“I am fully aware the meat so nicely packaged up in grocery stores comes from living animals that have been slaughtered. I am one of those people who doesn’t mind, as long as I don’t have to see it happen.
In Nepal, ‘fresh meat’ means recently butchered. While volunteering as an English teacher for three months in Kathmandu, I witness several meals being prepared; their heads cut off with a single swipe of a khukuri before their carcasses were cut up, usually on our rooftop terrace. I have even eaten a cake made of congealed fresh goat’s blood, a delicacy prepared for my Nepali father’s birthday. How could I refuse?”
Dutch masterpieces, Nazi blackmailers, mist-filled canals and looted art! Feature on Artist and Author Rosa Fedele’s newsletter and website, March 29, 2017
“In my novel The Lover’s Portrait: An Art Mystery, the character Lex Wederstein is a young, talented Jewish artist whose career is cut short by the Nazis occupation of the Netherlands. Lex is based on a real person, the Dutch Jewish painter Moos Cohen. Because I am an American writing about sensitive topics in Dutch history, I didn’t dare make up any historical events or characters yet based them all on actual events and people I learned about while conducting archival research for the novel…”
Mystery Thriller Week Historical Division Feature: Restitution of Artwork Stolen by the Nazis During World War Two, February 18, 2017
“Before moving to Amsterdam, I knew very little about the restitution of artwork stolen by the Nazis during World War Two, a topic that plays a central role in my novel, The Lover’s Portrait: An Art Mystery. Sure, I’d read about controversial cases in newspapers and wondered why museums didn’t hand over the artwork immediately when legitimate claimants appeared on the scene, but also why it took the relative of the legal owner so long to submit a claim.”
How Archival Research Added Texture to My Novel: Suzanne Adair’s Revelant History Blog, February 17, 2017
“It was crucial for the plot that this art dealer character not be Jewish but did need to be considered a ‘dissident’ or threat to the Nazi regime for another reason. I went to the Amsterdam City Archives with an open mind and list of questions.
I’d thought up all sorts of plot twists which involved other groups targeted by Hitler’s troops—Romas, communists, Jehovah’s Witnesses, political dissidents and homosexuals—and decided to see what my adopted hometown’s archives could tell me about how they were affected by the war. The documents I found relating to the treatment of homosexuals were the least known, and therefore most interesting, to me.”
Indie Author Catherine Dilts Blog: The Mysteries of Indy Publishing series, February 15, 2017
“My next guest for Mystery Thriller Week, Jennifer S. Alderson, was a writer by profession before she became a novelist.
Have you been traditionally published (novel, short story, or non-fiction)?
None of my books have been traditionally published. I did work as a journalist and columnist for five years and several of my articles were reprinted in magazines, but that’s a different ball game.”
Why Amsterdam is the Perfect Setting for an Art Mystery: MTW Feature on Artist and Author Rosa Fedele’s newsletter and website, January 22, 2017
“Amsterdam is the perfect setting for an art-related mystery, especially one in which the looting of artwork by the Nazis during World War Two plays a central role. My second novel, The Lover’s Portrait: An Art Mystery is about an American art history student who finds clues to the whereabouts of a collection of masterpieces hidden somewhere in Amsterdam, secreted away in 1942 by a homosexual art dealer who’d rather die than turn his collection over to his Nazi blackmailer.
I can safely say if I hadn’t moved to Amsterdam to study art history twelve years ago, I never would have written this novel. My life here as an expat and art history student, as well as the turbulent history of this amazing city and its many museums, directly inspired the storyline and several of the characters.”
How Archival Research Added Texture to My Novel: Women Writers, Women’s Books, December 23, 2016
“Let me make this clear from the start: I love the smell and feel of archival documents, those yellowing bits of paper and crumbling photographs that rustle ever so slightly when extracted from their manila envelopes.
There’s something magical about scouring through meters of racks, drawers and file folders until you find an interesting or odd snippet of information recorded long ago which helps a character or story truly come to life.”
Read my Article on Women Writers, Women’s Books about ‘How Archival Research Added Texture to my Novel’ (December 23, 3016), wherein I describe my research process while writing The Lover’s Portrait: An Art Mystery.
How Archival Research Added Texture to My Novel: Mysteristas, September 23, 2016
“While working out the storyline for my second novel, The Lover’s Portrait, I realized early on that the restitution of looted artwork and the treatment of Jewish citizens in the 1930s and 1940s, were going to be central to the plot.
To ensure that any potentially controversial aspects of my art mystery were accurately honestly and accurately described, extensive archival research would be essential. What I didn’t expect, is that this same research would add much needed texture and depth to my story, infuse it with universal themes and – according to all the reviewers so far – be what sets it apart.”
The Displaced Nation’s Booklust, Wanderlust column, September 1, 2016:
“When I read on the beach, the story’s got to be light and quirky or it goes back in my tote bag. The Good Thief’s Guide to Paris (2009), by Chris Ewan—or really any of the other four books in Ewan’s popular series of mysteries about a globetrotting thief-for-hire—fits the bill perfectly.”
The Displaced Nation’s Booklust, Wanderlust column, March 24, 2016:
“Last year, while researching my third novel, I was lucky enough to come across Carl Hoffman’s Savage Harvest: A Tale of Cannibals, Colonialism, and Michael Rockefeller’s Tragic Quest for Primitive Art (2014) It is simply one of the best nonfiction travel adventure stories I have read in a very long time. An award-winning American journalist, Hoffman recounts his fascinating journey to Papua New Guinea, where he retraces the last art-collecting expedition made by anthropologist Michael Rockefeller. He juxtaposes his own travels through the Asmat region with a fictive reconstruction of Rockefeller’s final days before his mysterious disappearance, based on extensive archival research and new eyewitness accounts. He effortlessly combines mystery, adventure, personal self-discovery and colonial history into one captivating novel.”